10 movies to watch before Hulu’s Predator sequel

by Dan Trachtenberg Preythe fifth base tranche of the Predator franchise, skipped the big screen and went straight to Hulu. It’s a wonderful addition to the streamer’s underrated selection of originals and is one of their most hyped releases to date.

His reputation will only grow, as there is no doubt that Prey is the franchise’s most cohesive and narrative-driven installment since the original film, and it’s a more than worthy addition to the series’ overall continuity. In fact, the film is so good that viewers might want more once the end credits roll. And while prey 2 isn’t official (yet), there are some other worthy movie projects to go along with Hulu’s beautifully shot prequel.

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Predator (1987)


The Jungle Hunter Predator looking for Dutch in Predator (1987)

Prey marks the fifth entry into the Predator franchise. before taking it all Predator following, it is natural to take the first. Moreover, it looks like Prey will heavily feature the individual third-act nature of the original film, making it an even better companion to the 1987 classic than the one produced by Robert Rodriguez in 2010 predators.

John McTiernan (die hard), Arnold Schwarzenegger and Kevin Peter Hall (as the titular alien) were a match made in the late ’80s, resulting in one of Hollywood’s great genre-blending action films. The film went through a few changes during its production, including what was initially a very different antagonist (played by Jean-Claude Van Damme). The end result is extremely rewatchable and a favorite of moviegoers everywhere.


10 Cloverfield Lane (2016)


Director Dan Trachtenberg doesn’t have many projects under his belt, but it’s obvious he’s the master of the franchise’s unconventional pursuit. Prey is only his second feature film, and just as no one expected a Predator prequel set in the 1700s, nobody expected it 10 Cloverfield Lane end up being what it was: a Cloverfield after.

For a first film, 10 Cloverfield Laneis just as surprising as its unexpected title reveals, and that alone is reason enough to explain why Trachtenberg was hired to direct the first episode of Amazon Prime. The boys.

The Descent (2005)


Sarah treads water in The Descent.

Widely regarded as one of the best horror movies of the 2000s, Lowering pits a group of female cavers against horrific and mysterious cave-dwelling creatures. As brilliantly shot as it is written, Neil Marshall’s second feature is even better than his excellent first: dog soldiers.

Lowering is Prey without any semblance of sunshine for the protagonists (until there is only one) to console themselves. Moreover, the animals of Descent do not travel solo, contrary to the typical Yautja modus operandi. If anything, Lowering is more intense than Preyor even Predator for that matter, and would make a great triple feature alongside those two franchise films.

Predators (2010)


Isabelle brandishing her sniper rifle in Predators (2010)

Theater Predator sequels (so far), predators is the strongest. The movie feels more like a continuation of McTiernan’s original than the enjoyable but divisive Predator 2. The movie has its flaws, like a bad cast or two and a waste of Danny Trejo, but some of its twists resonated.

Taking the action away from Earth works well, as does the core concept of the Predators picking out the most combat-capable humans on the planet and dropping them into a hunting preserve filled with some of the Baddest and most memorable Yautja (the franchise’s titular alien hunter) for now. However, it’s not just the high stakes that help make the sequel one of the series’ strongest, as it’s also bolstered by memorable supporting performances from Walton Goggins and Mahershala Ali.

Bone Tomahawk (2015)


Hunt the Bone Tomahawk

In Prey, the Comanches are the protagonists. In bone tomahawkthe Native Americans (not the Comanches, but rather an outcast, inbred cannibalistic tribe) are the particularly deadly antagonists.

Like almost all episodes of Predator franchise, bone tomahawk is horrible stuff, but it has arguably even the best beat in the franchise (the original), because TomahawkThe characters are three-dimensional, and when they die, the audience can almost feel their pain.

The Magnificent Seven (2016)


An image of Ethan Hawke from the Magnificent Seven

The Magnificent Seven are considered a more competent group than the light in which Preythe main character of Naru, is seen, but she and the Seven are always the underdogs. Prey is a David versus Goliath situation, and The Magnificent Seven could arguably be seen as an extension of this concept. They’re seasoned gunslingers with experience under their belts, but like Naru, they still have something to prove.

Moreover, like Naru, the Seven engaging in violence for the right reason: to protect others. PreyThe main character of has an ax to grind when it comes to being seen as an equal, sure, but there’s no doubt that she’s the heart, soul, and protector of her tribe. The Magnificent Seven have no tribe, but they know what is right.

Hell or High Tide (2016)


Jeff Bridges as Texas Ranger Marcus Hamilton (Hell or High Water)

by David Mackenzie Against all odds hitting the screens with a script by the amazing Taylor Sheridan, correspondent for Yellowstone and Sicario. However, high water arguably has even more in common with Sheridan’s first film: wind river.

As Prey, Against all odds and wind river are “action” films (leaning more towards crime) with a Native American influence. It has a lot to do with locations, both with high wateris West Texas and Wind RiverThe parameters of the Wyoming Indian reservation are quite comparable to the Predator Comanche Nation from the prequel.

Crawl (2019)


Crawl Movie

Like Mrs. Midthunder in PreyKaya Scodelario gives a wrecking ball of a performance in Crawl. The movie finds her stuck against a tooth-grinding force out of her control and out of her league, but she’s a survivor, and in this hook, Crawl and Prey have a lot in common.

Essentially, Crawl it is woman against nature, nothing more and nothing less. Therein lies its visceral and narrow appeal, of which the same could be said of Prey (but with a jungle instead of closed corners).

The Ice Road (2021)


Tantoo drives a rig in The Ice Road

Prey is going to make Amber Midthunder a star, because it’s the exact type of project (and performance) that can hold that kind of potential. She clearly shows that she can carry a film’s narrative convincingly, even if she’s often left solo.

Midthunder offers arguably the best performance of the Predator film to date, but it wasn’t the first time members of the public had learned that she was destined for the A-list. Namely, Liam Neeson’s relatively important film The ice roadwhich is just one of many action-oriented images from the late career of the actor, but one that tops the rest (except maybe cold pursuit) thanks to well-drawn characters and a setting that is just as captivating as its plot.

Wood (2021)


wood foil

As Preyfrom Trachtenberg, Wood‘ Scott Cooper is very clearly as adept at art cinema as he is at genre pieces. The difference is that Cooper has already dived into this more reputable world (e.g. via Out of the oven) while Trachtenberg most likely has it on the horizon. Wood almost feels like some kind of testing ground for Cooper, a modestly budgeted genre effort that strives for atmosphere rather than scares.


While the feel of the film (shot in British Columbia) is truly jaw-dropping, it’s terribly short on real terror. Even with excellent performances from Keri Russell and Jesse Plemons, there’s very little to set Cooper’s Wendigo movie apart from other creature features. Even still, it’s an interesting diversion that, like Preybrings to light a mysterious, deadly and legendary beast with enormous deadly potential.

NEXT: 10 best new movies to watch on Hulu this month

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